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TANZFILM AUSSCHREIBUNG

BIS 15. FEBRUAR 2023

Web3.0 Panel: Die Anfänge der Dezentralisierung

Philipp Contag-Lada
Ryan Renshaw
coolcet.eth
Freitag 3. Nov 2023
18:00 GMT+1
Metropolis Kino
  • Panel Discussion
International

| Synopsis

Following the Panorama Special Program on 3. November, the festival will kick off with an innovative panel discussion around Web 3.0 and decentralization. TANZAHOi will bring together artists from the fields of dance film, AR, VR and AI to illuminate the concept of decentralized curation and how it can effect festival organization and open possibilities for creation.

Web 3.0 represents the next generation of the internet, where power is no longer in the hands of a few centralized platforms, but distributed across a decentralized network. Here, from a creative perspective, artists and audiences alike can participate. Web 3.0 is based-around the blockchain, a technology that enables transparent transactions and offers protection between exchanging parties. Like open-source-philosophy, this phase of the internet encourages all users to take part equally – or perhaps more democratically – in the creation and management of content.

TANZAHOi is interested in challenging the boundaries of what can be achieved through collaboration and decentralization, offering new perspectives on the potential of digital dance and festival organization. Invited to the panel of is a mix of Web3.0 experts and artists creating work in tandem with this technology. The panel will be open for audience questions and all are welcome to participate.

| Credits

Panel with:
Philipp Contag-Lada
Ryan Renshaw
coolcet.eth

coolcet.eth

| Biographie

GrĂĽnder, Sammler, Web3.0-Degen

| Biographie

GrĂĽnder, Sammler, Web3.0-Degen

Philipp Contag-Lada

| Biographie

Philipp Contag-Lada was born in Stuttgart and works throughout Europe as a video artist at theaters and museums. He teaches at various universities and, together with colleagues, develops exhibition concepts and media solutions for advertising agencies and industrial clients under the label 7pc. He specializes in new technical and aesthetic developments, which he has also presented at Art Cologne. Among the artists he has worked with are Philippe Arlaud, Gudrun Schretzmeier, John Dew, Heinz Balthes, Werner Schroeter, Birgitta Trommler, Stijn Celis, Sidi Larbi Cherkaoui and especially stage designer Florian Parbs, with whom he has created virtual spaces for numerous productions, including the world premiere of Fadinger at the Neues Musiktheater in the Landestheater Linz and Die Fledermaus at the Staatsoper Hannover. At the Dresden Semperoper, he was also responsible for the video concept for Michael Schulz’s production of Salome. His work has been seen at opera houses and theaters in Stuttgart, Hamburg, Dresden, Munich, Madrid, Barcelona and Boston, Basel and Gothenburg, among others.

| Biographie

Philipp Contag-Lada was born in Stuttgart and works throughout Europe as a video artist at theaters and museums. He teaches at various universities and, together with colleagues, develops exhibition concepts and media solutions for advertising agencies and industrial clients under the label 7pc. He specializes in new technical and aesthetic developments, which he has also presented at Art Cologne. Among the artists he has worked with are Philippe Arlaud, Gudrun Schretzmeier, John Dew, Heinz Balthes, Werner Schroeter, Birgitta Trommler, Stijn Celis, Sidi Larbi Cherkaoui and especially stage designer Florian Parbs, with whom he has created virtual spaces for numerous productions, including the world premiere of Fadinger at the Neues Musiktheater in the Landestheater Linz and Die Fledermaus at the Staatsoper Hannover. At the Dresden Semperoper, he was also responsible for the video concept for Michael Schulz’s production of Salome. His work has been seen at opera houses and theaters in Stuttgart, Hamburg, Dresden, Munich, Madrid, Barcelona and Boston, Basel and Gothenburg, among others.